‘Crepes for Sale’, 2017 ‘To gain the world and find one’s soul’, 2018 Study for I’m dancing, 2018 (pugilistic skanking) ‘Tribesmen Swaggering, [ 3 chicken wings, 1 sidebreast + chicken burger with cheese ]’, 11.23min, Video Still, 2017 Installation view, Interim Show, MA Fine Art, University of Brighton, 2016 ‘Queen of Lydia’, 2016, Spalding basketballs, rope and wood construction ‘Symphony I in B-heavy’, 7.30min, Video Still, 2016 ‘Self Portrait as the Greatest, after channeling Basquiat’, 2017 ‘Here is fruit for the crows to pluck’, 2016, reclaimed beer barrel, rope, meat hooks, wood, steel, modified toy washboards. Dimensions variable. Interim Show, University of Brighton, 2016 ‘Hero’, 2016, Ebonized wood construction, 35 x 27″, Private Collection. ‘Prize Rumbler’, 2017, 21.5×20.5″, torrified wood, pure pigment, nails, screws, rope. Private collection. ‘Chief Aristocrat’, 2016, 92.5 x 59.5″, Ebonized wood construction, felt, lacquer (Selected for Bloomberg New Contemporaries 2017 ) ‘Chief Aristocrat’, Installation view Bloomberg New Contemporaries, Baltic 39, Newcastle, 2017 ‘Young Chief’, 2018, Pascollar, Private Collection. ‘After the Black Devil came the Lord of the Manor’, 2017, silkscreen on wood, varnish, nails, hemp rope, meat hook, steel chain. ‘The Mask of Jay-Z’, 2015, 12x6inches, clay and pigment. ‘Old Heavy Bruiser’, 2017, 76.2x 55.8cm (30 x 21.97 in), Oil stick, ink, oil pastel, coloured paper, charcoal, on stretched and collaged cotton rag paper, nailed to artist’s wooden frame. Private Collection. ’20 Year Old President’, 2017, 92.25″x34.5″. Oil stick, ink, charcoal, gloss spray paint, pencil, coloured paper and oil pastel on collaged cotton rag paper. Nailed to artist’s wooden frame. Private Collection. ‘Water Serpent’, 2017, 90″x43.5″, Ink, oil pastel, gold guilding wax, charcoal, oil stick, coloured paper, pastel, wax crayon on collaged cotton rag paper ‘Power Show’ – 2017, 326cm x 245cm, ink, oil stick, silk screen ink, oil pastel, charcoal, spray paint, acrylic, screen printed paper, pastel, pigment, rust, woodcut prints, crayon, chalk, gold gilding wax, coloured paper on collaged cotton rag paper laid on hessian. ‘Portrait of Anthony Joshua’, 2017, 43 x 25″, Ink, oilstick, oil pastel, printmaking ink, gold gilding wax, wax crayon on collaged cotton rag paper, nailed to artist’s wooden frame. Private collection. ‘United pursuit of happiness states Kingdom’, 2018, Oil paint, Ink, oilstick, oil pastel, crayon, canvas cut outs, modified nails, collaged cotton rag paper on canvas in artist’s wooden frame. Private Collection. ‘I performed for you to the best of my ability’, 2017, Ink, oil stick, printmaking ink, wax crayon, framers tape on collaged Nepalese paper in artist’s wooden frame. ‘Fruits of Labour’, 2017, 335x 61 x 40 cm Wood off-cuts, disposable gloves, studio debris, rope, screws, casting resin, clay, oil stick, spray pain, felt, silkscreen on wood, charcoal, wax crayon ‘Haute-Bourgeois lovliness’, 2017. Ink, oilstick, gouache, oil pastel on cotton rag paper laid on artist’s wooden box frame. Private Collection. Installation view ‘Before Words’ MA Fine Art Final Show, University of Brighton, 2017 Installation view ‘Before Words’ MA Fine Art Final Show, University of Brighton, 2017 ‘Study of the male torso’, 2016-2017, GFRG, resin, wood, nails, collaged and screen printed OSB + Ply wood ‘To overstand the uprising of the dumb brute’, 2017. Dimensions variable. Welded steel, fibreglass, collaged rope, burlap, silkscreen, oilstick, household paint, wood, alginate, plaster and resin. ‘Cross-section of a living license’, 2017, 34″x 16″, charred tree slabs, modified steel nails, rope, steel bar, string, cotton mesh fabric, spray paint, screws, felt backing ‘Beyond her particulars; He found life, he found joy, he found pain’, 2017, 7.5″ x 9″, Charred wood, pigment, oil pastel, modified nails, staples, rope and screws, Private collection. ‘Into the Deep’, 2018, 39″x19″, oilstick, oil pastel, Indian ink, Chinese ink, pigment, charcoal, pencil, modified nails, collaged/dècollaged cotton rag paper on canvas in artist’s wooden frame ‘Open and Close’, 2018, 18″x16″x2.5″. Wood, sticks, rope, modified nails, mesh fabric, felt, wooden beads, glue, zip. ‘Self-portrait with two circles (after Rembrandt)’, 2017 ‘Is this wet p*$$ ¥ remix no get enemy, nothing like this love that I’m feeling’, Artist’s collaged bass solo recording, wood, silk, cotton, tapestry thread, wooden beads, varnish, modified nails, rope, canvas, wet towels, lights, 2018 ‘Richmond’, 2018, oil, oilbar, oil pastel, pastel, Indian ink, Chinese ink, charcoal, pigment, wax crayon, studio detritus, sand, collaged cotton rag paper, pva glue, modified nails on canvas, in artist’s gully frame, 80″x48″. ‘Tracksuit bottom’, 2018 ‘Tracksuit bottom’ (detail), 2018 ‘Portrait of Usain Bolt’, 2018, 22.5″x20.5″, oil bar, oil, ink, charcoal, oil pastel, gold gilding wax, canvas collage, cotton rag paper collage, modified nails on canvas in artist’s frame. ‘Cream of the Crop’, 2018, 80.5 x 22 inches, oil, oil stick, wood cut print, raffia, wax crayon, pascollar, sawdust, varnish, charcoal, collaged cotton rag paper, tapestry thread, modified nails, hessian on canvas. ‘Totem and Taboo’, 2018, 54.5″x22″, artist’s hair, oil, oilbar, oil pastel, acrylic, gloss paint, crayon, charcoal, gold gilding wax, coloured paper cutouts, canvas cutouts, rope, raffia, studio detritus, pascollar, tapestry thread, cardboard, wood-cut cutouts, collaged cotton rag paper, modified nails on canvas in artist’s gully frame. Private Collection. ‘Self-Triptych”, 2018 Self-portrait as Jean Michel Basquiat, 2017-18, mixed media, 84 x 64cm Installation view ‘Talisman in the age of difference’ (Group show) Stephen Friedman Gallery, London, 2018. [Image courtesy of Stephen Friedman Gallery] ‘The Best 8/20’, 72×45 inches, oilbar, ink, charcoal on collaged cotton rag paper, 2018. Private Collection.